“Strange” and “new” are relative terms, as a fascinating series of Japanese woodcuts unearthed by the Public Domain Review handily reminds us.
Inspired by the dress and habits of visiting Americans, artists in 1850s Japan once dedicated themselves with an ethnographic intensity to the study of exotic Western newcomers. Today, the artwork provides Americans with a novel perspective on their ancestors, described in portrait titles like People of the Barbarian Nations – Americans,andAmericans’ Love for Children.
This particular genre of woodcut is known as Yokohama-e, and was produced in the small fishing village of Yokohama, today one of Japan’s most international cities. Yokohama was one of the first ports that Japan opened to foreign trade, at the insistence of the American government. The US made several failed attempts to get Japan’s attention throughout the early 19th century before finally forcing Japan out of isolation in 1854.
The images below were retrieved from the digital archives of the US Library of Congress.
A Princeton PhD, was a US diplomat for over 20 years, mostly in Eastern Europe, and was promoted to the Senior Foreign Service in 1997. For the Open World Leadership Center, he speaks with
its delegates from Europe/Eurasia on the topic, "E Pluribus Unum? What Keeps the United States United" (http://johnbrownnotesandessays.blogspot.com/2017/03/notes-and-references-for-discussion-e.html). Affiliated with Georgetown University (http://explore.georgetown.edu/people/jhb7/) for over ten years, he shares ideas with students about public diplomacy.
The papers of his deceased father -- poet and diplomat John L. Brown -- are stored at Georgetown University Special Collections at the Lauinger Library. They are manuscript materials valuable to scholars interested in post-WWII U.S.-European cultural relations.
This blog is dedicated to him, Dr. John L. Brown, a remarkable linguist/humanist who wrote in the Foreign Service Journal (1964) -- years before "soft power" was ever coined -- that "The CAO [Cultural Affairs Officer] soon comes to realize that his job is really a form of love-making and that making love is never really successful unless both partners are participating."