The arts industry, at all levels, is subsidized not just by the labor of artists, but by their quality of life. They should get paid, not taken for granted.
Damon Winter/The New York TimesNew York artist Ronnie Landfield is in danger of losing his rent-stabilized studio, where he’s lived and worked since 1969.
Artist and musician David Byrne recently wrotethat the cultural life of New York City had been “usurped by the top 1 percent,” implying that our society’s emphasis on the bottom line has compromised our humanist sensibilities.
With soaring housing and health care costs, and a culture that seems more interested in financial stability than creative expression, has it become too expensive to pursue the arts in this country?
A Princeton PhD, was a US diplomat for over 20 years, mostly in Eastern Europe, and was promoted to the Senior Foreign Service in 1997. For the Open World Leadership Center, he speaks with
its delegates from Europe/Eurasia on the topic, "E Pluribus Unum? What Keeps the United States United" (http://johnbrownnotesandessays.blogspot.com/2017/03/notes-and-references-for-discussion-e.html). Affiliated with Georgetown University for over ten years, he shares ideas with students about public diplomacy.
The papers of his deceased father -- poet and diplomat John L. Brown -- are stored at Georgetown University Special Collections at the Lauinger Library. They are manuscript materials valuable to scholars interested in post-WWII U.S.-European cultural relations.
This blog is dedicated to him, Dr. John L. Brown, a remarkable linguist/humanist who wrote in the Foreign Service Journal (1964) -- years before "soft power" was ever coined -- that "The CAO [Cultural Affairs Officer] soon comes to realize that his job is really a form of love-making and that making love is never really successful unless both partners are participating."